Monday, October 20, 2014




The year has come right 'round yet again to the cool and collected days of November, time of ill themed holiday gluttony and, as always, a truly fitting time frame for a little local film festival madness.

Movie geeks take note, just about 30 minutes northwest of this Fox Valley thing, (most of) you readers call home, lies the quiet, unassuming city of Weyauwega. Here (in the Main Street-placed Gerold Opera House) can be found the annual Weyauwega International Film Festival. In years previous, the W.I.F.F. has played gracious host to such rich cinematic jewels as John Frankenheimer’s seminal 60s haunter Seconds, the loopy art-house sensation from France Holy Rollers, the clever and highly clandestine Disney theme-park phantasmagoria Escape from Tomorrow and such Wisconsin-generated gems as West of Thunder and Dead Weight.
Audiences were treated to a wide selection of film types; documentaries, dramas, comedies, action and even some low-brow, grindhouse-worthy horror (Don’t Go To the Reunion or Billy Club anyone?) and the whole thing looks primed to grow ever bigger with each coming year.

This given year, the 4th such episode of the fest will unfold (beginning on Wednesday, November 12th and wrapping up on Saturday the 15th) in high style. It all kicks of with some ambitious non-fiction cinema in 'Wait', about a creative team (one filmmaker, one musician) wandering across and throughout the varying cultures and communities of South America guided by the mutual pull of something out of their collective past and the epic character study 'Old Man' by fest veteran and award winner Dan Schneidkraut. This puppy charts the highs and lows that befall a father/son tandem set against the impending fate of a long standing Minnesota based record store. Director Schneidkraut is expected to be in attendance to discuss the merits of his 170 minute (!) opus. 'Old Man' rolls at 4:30pm.

To slot out the remainder of the fest itinerary W.I.F.F. masterminds Ian Teal and Kathy Fehl have pieced together another sturdy collection of intriguing prospects for any devout cinephile to blissfully devour. For handy example, one can take in promising options like '100: Head/Heart/Feet' which covers the uber obsessive nature of something termed 'ultra-running', wherein a set of athletes compete in an intense, 100 mile long marathon...without reprieve for as much as 30 hours! 'My Name is Jonah' is a portrait of a self designed 'mythic cult hero' who turns out, in real time, to be a rather less than average Joe (or Jonah). 'Wisconsin Mining Standoff', originally produced for Al Jazeera's 'Faultlines' series, could prove to generate a high level of in state related controversy and healthy debate (and you can expect our golden boy-Slick Scotty Walker to figure into it all). 'Oracles of Pennsylvania Avenue', where we get an up front opportunity to witness, via the decades long persistence of three relentless activists, the dedicated origins of what is now so commonly branded (and sometimes smugly dismissed as) the 'Occupy Movement'. Proof positive that many a solid non-fiction film is set to unspool for your educational benefit.     

Also a part of the mix is the Russian bred festival and critical darling 'The Fool' (W.I.F.F. takes great pride in pulling entries in  from all over the globe into their total program) an earnest and, at times, tragic dramatic piece of social commentary focusing on a poor, good natured maintenance man faced with the moral dilemma of how to save the population of a woefully neglected apartment complex. That film is set to bow on Saturday at 5:30pm. Further still, each of the W.I.F.F. installments also likes to indulge in a bit of film nerd nostalgia on a Thursday afternoon. This year's entry is 'The Men' from 1950, directed by Fred Zinnemann ('High Noon', 'From Here to Eternity') and featuring the debut big screen performance by some guy named Marlon Brando as a crippled war vet who must struggle to regain control of what's left of his, now civilian, life. Admission to this throwback feature is free and is again accompanied by the presence of area film scholar Dr. Jack Rhodes. It all starts at 1pm.

There will also be a very rich smattering of short film packages right alongside all the heavyweight features. On Friday, starting at 9pm, the fest will showcase a fat block of short films by Wisconsin filmmakers exclusively. Plus, at other spots during the fest Dan (Ed Gein-the Musical) Davis will appear as the star of the emotion based 'Beyond Goldenhill" (Sat. about 12:30pm) and Oshkosh superstar John Pata will make a return to Weyauwega for yet another screening of his searing Pig Destroyer influenced punch to the gut 'Pity' (Thursday in the area of 6:30pm). Many (if not all) of the folks involved in these locally born projects should be on hand to engage in some sweet movie talk afterwards.

The main event (as it were) and festival closer this time is a seemingly light hearted little something entitled 'Bucky and the Squirrels', an odd duck retro-satire of sorts about a 1960s one hit wonder pop group (out of our own Appleton, of all spots) who went missing shortly after breaking big. Ages pass into the present day and the lads are unearthed from the frozen confines of their Swiss Alps imprisonment and brought to consciousness. This strange concoction was, for the most part, lensed on location in and around the Appleton area by a well seasoned pro named Allan Katz. Katz is a writer-producer-director-actor who has finessed his trade in (mostly) old school sitcom television. He has taken part in many a greatly adored classic like 'M.A.S.H.', 'Sanford & Son' and 'Roseanne' only to switch gears a bit to script and star in the instantly obscure, now cult chic film 'Big Man on Campus'. In recent years Katz has taken to sharing his accumulated knowledge and experience as a teacher of all things in relation to putting on a show at various universities, one of them being Appleton's own high end Lawrence U.


See, Mr. Katz has connections to Lawrence by way of several key alumni he forged lasting relationships with years back. At the beginning of his career, Katz toiled at an advertising agency where he first crossed paths with a certain chap, Tom Hurvis. Hurvis and his wife, as fate would have it, are both successful end products of the Lawrence University educational system and years on down the line they would call on Katz for a favor, they asked him to bring some industry know-how to their beloved alma matter. Paired with another alum, Catherine Tatge, who was working to jump start a viable film program on the campus, Katz was asked to oversee a short film writing and production course that worked to immerse students in the specifics of film production. From there things progressed toward the proposal of crafting a full fledged feature that would involve students and allow them to gain hands on experiences on a real, thriving film set. The production would also serve to work as much local Appleton flavor into the blend as possible as a way of paying tribute to the positive spirit Katz says he found quite commonplace around the school and throughout the surrounding area.

This heavy incorporation of Fox Valley bodies and real estate makes this 'Bucky and the Squirrels' thing the must see Wisconsin epic of, probably, the whole festival. The Saturday evening screening (8pm) of 'Bucky and the Squirrels' is actually the official world premiere for the film (a move by Katz to pay tribute to the productive Wisconsin backbone the film is founded on) and the man himself told me with his own voice, by way of a quick phone chat, that he will be on the scene to share in the fun and bond with folks afterwards.  

To follow up all this movie watching and related banter there will be the concluding festival awards ceremony and socially rewarding after party with all the beer drinking, dancing and whatever else people do after a full slate of serious movie digestion has been put to rest.

Any and every inquiry related to the Weyauwega International Film Festival can be directed to this lovely web savvy address; Ticket pricing, finalized schedule layout, directions and the like will be on hand for those who (I hope) will develop the curiosity needed to make the trek to this year's edition of the little festival that could.

May the urge reach you, one and all, to take in some quality cinema out there in wonderful Weyauwega.

Happy festing.  

Sunday, October 5, 2014


Way back when, during the mammoth nerd expo that is San Diego Comic-Con (circa 2009).   

At one lofty point during the course of my Comic-Con immersion I found my self locked in one particularly cramped and unsanitary men's restroom with none other than the morally ignorant, gloriously inhuman Oderus Urungus, front man to the world renowned 'Scumdogs of the Universe', GWAR. I put myself in this potentially suspect situation (think prison sex with less hygiene) in order to obtain some nuggets of wisdom from perhaps the greatest rock persona since...uh, that guy with the chainsaw from Jackyl.

We begin with a warm up, just to get the juices flowing.
I ask the esteemed Mr. Urungus to share his thoughts and musings on the  impending 25th anniversary of his band, the accompanying tour and (most  importantly) the arrival of the latest and potentially greatest GWAR record to  date, 'Lust in Space'.
'Basically what we got going this year is GWAR's 25th year on the planet since we've been dethawed via the copious overuse of hairspray. 25 years is not a heck of a lot to an eternal god, it's more like half of an eye blink, yet in human terms it's a long time. So we have decided to declare the onset of a two year celebration of all things GWAR. Our new album, 'Lust in Space' drops on August 18th. We will have a two year celebration because, quite simply, one year is too short. Two years is twice as long! We might even take it up to 3 or 4 years if it's going well.'

'GWAR will go down in history as the band that took 25 years to break. It's a lot like jacking off for 25 years and finally getting your nut, which is what I will be doing at every show.'

Every  one?

'At every single show I will share my filthy load upon your faces and together, all you freaks out there who have supported GWAR for all these  years will be paid back in full. GWAR is not an easy band to support, you've got to take the slings and arrows of ignorant assholes that don't understand our majesty. It's a whole new level of commitment. What other band asks you to sever your mother's head, core out her genitals with a daisy cutter and then have sex with the family dog? Not many, but GWAR fans are all over it.'

About this new record, where does it fit in reference to your earlier works?
'I would say that it is a new level of GWAR's super awesome-nasity (sic). If you took all the GWAR albums and melted them down into mush, it probably fits somewhere in the middle. It's got the thrash of 'Hell-o', the epic metal of 'America Must Be Destroyed', the Dungeons and Dragons on LSD of 'Violence Has Arrived' and it's got the  title of 'Lust in Space'. It is the greatest GWAR album since the last time  we did an album.'

'GWAR at its' worst destroys Slipknot at its' best. Even when Cory what's his face is crapping into a solid gold toilet right onto his fans' faces. We've got a relationship with our fans that is beyond insidious, it's not rape, yet it has something to do with dentistry. I'm not sure what that means but I know that Monty Python would understand.'

Let's talk about your re-signing with Metal Blade Records and also one particular track on 'Lust in Space' that appears to have heavy radio airplay written all over it, 'Make a Child Cry', what inspired you to write this little gem?

'On this planet, there is this whole idea that children are to be 'cared for'. They are to be fed, they are to be given presents and so forth. In outer space, children are used as power units for cybernetic war suits or sex aids and the like. The children of your planet are your  future and if we can destroy them all you will have none, and that is kind of the idea behind  that.'

As for Metal Blade........?

'We're back with Metal Blade, we were on some other label for awhile that didn't make any sense what so ever, they went broke or something. So we're finally back with the ultimate metal label in the world, it was just the perfect time, with the 25th anniversary thing and all. The cosmos, the planets, they're all in line to make this the most successful year in GWAR's history. Metal Blade, they are very much like us, they've been out forever and gone through highs and lows, yet they've hung in there. Brian Slagel (the label's founder) is fat and bald and I love the man. Bringing GWAR back together with Metal Blade is like Laural and Hardy, Charlie and Chaplin, it's like 'you got your anal sex into my carburetor!' It's a wonderful thing.'


'They're putting out the new record, it's really the  story of GWAR's final escape from earth. We travel through space, we run out of crack, we have to go back to  earth, that's pretty much the story.'

How about this epic new tour? Any surprise guests?

'Well, we don't wanna give anything away. We got Sleazy P. Martini with us this year. Now that he's solidified his control of the crack industry and the world porno industry, he's back into erecting solid gold skyscrapers and managing the band. We got a lot of off-planet people, back from the old days before GWAR came to this world. Like our old General, General Zod.'

Will you make another stop at the Rave, in gorgeous downtown Milwaukee?

'We'll be back in Milwaukee or Chicago, it all depends on who gives us more money.' (The boys will be sharing the stage at the Rave with Lamb of God and Job For a Cowboy November 6th)

In conclusion, can you just throw a few words out there about what GWAR means to you at this  point?

'All I can say is this, GWAR is the greatest band in rock n' roll history. Nobody cares so much about their  fans that they would mouth Jello molds into a testicle.'

And with that last pearl of infinite wisdom, Sir Oderus wraps me in a sweaty, drunken embrace and we part ways. I stumble in my typical Menasha way out into a fitfully rank crowd to bare witness to the two-fold threat of GWAR and Canadian battle metal progenitors, 3 Inches of Blood, and I have lots of woefully under lit pictures to prove it.